AUTHOR NARRATION
Hear the poem.
Read by the author in the original English.
The TruthEnglish narration
POEM + FORM
AUTHOR NARRATION
Read by the author in the original English.
THE LINE THAT TURNS THE POEM
This is intentionally the only line in the poem that begins with a capital letter.
Why everyone leaves.
Placed between the poem’s backward look at fault, love, and absolution and its movement toward what comes afterward, the line acts as a fulcrum. Its capitalization briefly changes the poem’s visual pressure: it can be read as a sentence, a title, a diagnosis, or a question stripped of its question mark. Everything before it leans toward the line; everything after it moves away.
THE POEM IN IMAGES
Eight fragments of the poem are illustrated below:
“before our lot is sorted out—first, of course, by class and native creed, then divided good and wicked & ordered alphabetically…”

“…there is a common stop to which each soul is brought, alone, a gentle cottage by the sea.”

“…just standard beach house fixings: sea glass and polished shells, beiges, blue & green pastels, drapery as gentlewhite as afterlife…”

“…a table genuflecting by the window has an envelope addressed to you, it's labeled: The Truth.”

“take your time; it’s the morning and the day stretches out endless and obliging, just past the horizon, like a child’s day. pour some tea, perhaps, it’s a lot to digest.”

“forgive, recollect, reconsider—think things through a second time in light of your new knowing. out the window, see the sun’s sheen halo growing on the ocean. take comfort in your dashings-out of doubts, weep with joy at absolution, resolution. breathe. grieve. know, finally…”

“everyone is out back laughing off their paling losses, spitting out like summer watermelon seeds their petty stratagems & smallnesses.”

“of course, the choice is yours to read or not, and neither option better. but it’s there if you want it. take your time, you have forever.”

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